Ellie Davison-Archer’s practice is focused around the notion of the overlooked and our rediscovery of the familiar by challenging our perceptions of natural form. By investigating the hidden detail of found objects, she aims to obscure their visual familiarity by creating macro representations transcended through meticulous drawing and fragmented objects. The ambiguous outcomes challenge the point of origin and the act of looking, emphasising how our unique perceptions alter the image we generate. Object hierarchy and the notion of the replica are questioned through inspiration from museology and investigation, causing the work to oscillate between curiosity and scientific enquiry.