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Since its conception Oculi’s axis has been Australia, its
ostensible home. As well as its physical base, Australia has been
the place its members have felt compelled - even obligated -
to explore most thoroughly.
For Australians in general however - geographically isolated
as we may be - the digital revolution has exposed us to the
world and the world to us in ways that, prior to this era of
ultra-flux, were inconceivable.
The digitisation of information has fallen in lock step with the
march of globalisation. As a result, we are now required to
have an increasingly internationalist outlook on geo-politics,
trade and economics, defence, refugee crises and, tangentially,
climate change. Such manifestations of globalisation have
broadened - even confused - our notions of home.
Nowadays, borders as we know them are threatened not only
by Neo-colonialism or imperialism, divine entitlement or
marauding armies and the puppet masters that control them,
but by creeping deserts, rising water levels and mass migrations
of starving people on whose land seeds can no longer be sewn.
Conversely, infrastructure built from the earth’s delicate resources
to satisfy the demands of our shrinking world, simultaneously
erode and divide the homes and habitats of the creatures to
whom borders serve no other purpose than to confine.
It is in this atmosphere that, in many ways, the necessity for
a concept of home has never been more fundamental
- as a counterweight to everything else that pulls us from it.
Home is difficult to define yet open to interpretation. From
the heart of home as we most commonly know it: in bed with
a lover or nursing a child, a favourite place or one’s spiritual
haven; to one’s tribe or place within a broader community:
suburbia, a region, a province, a country or continent.
There are symbols that define a home: a flag, a street sign, a
pile of sticks or a cardboard box, a fence or a wall, a gabled
roof or the ocean that surrounds an island; and those that
evoke: a letterbox, a postcard, a change of season, a memory
or the view from an aeroplane window and the journeys that
take us to and fro.
The idea of home is as fluid as the boundaries that define us
physically and as transient as the human race itself.
Andrew Quilty
April 2013. New York City
http://www.oculi.com.au
ostensible home. As well as its physical base, Australia has been
the place its members have felt compelled - even obligated -
to explore most thoroughly.
For Australians in general however - geographically isolated
as we may be - the digital revolution has exposed us to the
world and the world to us in ways that, prior to this era of
ultra-flux, were inconceivable.
The digitisation of information has fallen in lock step with the
march of globalisation. As a result, we are now required to
have an increasingly internationalist outlook on geo-politics,
trade and economics, defence, refugee crises and, tangentially,
climate change. Such manifestations of globalisation have
broadened - even confused - our notions of home.
Nowadays, borders as we know them are threatened not only
by Neo-colonialism or imperialism, divine entitlement or
marauding armies and the puppet masters that control them,
but by creeping deserts, rising water levels and mass migrations
of starving people on whose land seeds can no longer be sewn.
Conversely, infrastructure built from the earth’s delicate resources
to satisfy the demands of our shrinking world, simultaneously
erode and divide the homes and habitats of the creatures to
whom borders serve no other purpose than to confine.
It is in this atmosphere that, in many ways, the necessity for
a concept of home has never been more fundamental
- as a counterweight to everything else that pulls us from it.
Home is difficult to define yet open to interpretation. From
the heart of home as we most commonly know it: in bed with
a lover or nursing a child, a favourite place or one’s spiritual
haven; to one’s tribe or place within a broader community:
suburbia, a region, a province, a country or continent.
There are symbols that define a home: a flag, a street sign, a
pile of sticks or a cardboard box, a fence or a wall, a gabled
roof or the ocean that surrounds an island; and those that
evoke: a letterbox, a postcard, a change of season, a memory
or the view from an aeroplane window and the journeys that
take us to and fro.
The idea of home is as fluid as the boundaries that define us
physically and as transient as the human race itself.
Andrew Quilty
April 2013. New York City
http://www.oculi.com.au
Características y detalles
- Categoría principal: Libros de arte y fotografía
-
Características: Apaisado estándar, 25×20 cm
N.º de páginas: 114 - Fecha de publicación: jun. 03, 2013
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