The image series are transitions which take the viewer on a journey through the first two portions of Genesis. The author hopes that viewers “see” the visual impressions which light radiates upon the textures of the unique flows of water, sand, and wood formations both natural and man made. Sepia tones and the "Zone System" are used to expand the levels of texture and detail.

The author focuses on images of nature found in our daily lives. Yet, when taken out of context and composed within new frame works, the same natural phenomena can be elevated to reveal unique combinations of light, texture, shapes, and color. Adapted texts are from the works of R. Tzvi Freeman, who writes; "Beauty is captured here on the page, yet retains its freedom. The borders of the page's frame, rather than restricting our view, draw us inward to reveal boundless wonder. Somehow, in the focus of B. Gorin's camera, we discover that infinity was hiding all along in plain sight"

Michoel Muchnik, esteemed Chassidic artist, writes, "B. Gorin's photographs and their accompanying meditative style insights help us develop a more intimate look at our Creator's handiwork, as it were. The best part about it, is the inspiration we gain to look around us on our own, to become ever more aware of the lessons we can learn from even the minutest details."